COPYRIGHT AND CREATIVITY THE MAKING OF PROPERTY RIGHTS IN CREATIVE WORKS【2025|PDF下载-Epub版本|mobi电子书|kindle百度云盘下载】

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1.Copyright as property1

Ⅰ The legal concept of dematerialised property1

1 The meanings of the term ‘property’3

2 The concept of ‘property right’5

3 The concept of ‘property object’ or ‘thing’ or ‘res’ in law10

Ⅱ Copyright as a primary example of dematerialised property12

1 The application of the concept of dematerialised property to copyright13

2 The proprietarian Common law conception of copyright： protection against parasitical unfair competition and free-ride35

3 The less proprietarian Civil law conception of author’s rights (droits d’auteur)： protection of a person’s creation through personality protection47

Ⅲ Conclusion60

2.Copyright-property and the public domain： explanations and justifications68

Ⅰ Historical-philosophical and economic explanations of property and copyright-property and their limited usefulness for modern copyright law68

1 Explanations and justifications of property and copyright deriving from classical political philosophy70

2 Economic explanations and justifications of property and copyright91

Ⅱ A test of political-philosophical concepts： the idea of the public domain as a default position and starting point97

1 Constructions of the ‘public domain’97

2 Another construction of the ‘public domain’109

3 A Kantian approach to the enforceability of viral contracts in the cyberspace114

Ⅲ Conclusion： the value of philosophical justifications for modern copyright law and for the understanding of the public domain118

3.The limitations to the powers of copyright ownership123

Ⅰ Limitations as to conceptual extent123

1 The idea-expression dichotomy125

2 Copyright exceptions and limitations： restricted real rights in copyright？137

Ⅱ Limitations as to time： term of protection144

Ⅲ Conclusion148

4.The attribution and allocation of copyright-property： authorship， creativity and ownership149

Ⅰ ‘L’auteur est mort， vive le proprietaire！’149

1 The concept of the ‘romantic author’ and the anti-author movement in literary criticism and copyright theory149

2 The exaggeration of the ‘romantic author-genius’ construct156

3 The source of the ‘romantic author’ criticism - what Barthes and Foucault actually said： ‘death of the author’？166

4 Legal concepts of authorship in copyright law and the relevance of postmodernist interpretations of authorship in legal reality170

5 The implicit favouring of ownership over authorship in ‘anti-author’ conceptions177

Ⅱ Creativity： the vexing fetish182

1 Art and author’s creativity and their relationship to copyright： attempts at a description of creativity182

2 Copyright and creativity： aporetic copyright rules188

3 Authorship and originality/creativity in relation to restorations： ‘normative’ originality194

4 The ‘creativity’ rhetoric of the creative industries196

Ⅲ Conclusion198

5.The effects of copyright-property Ⅰ： the problem of alienation201

Ⅰ The legal preconditions for alienation Ⅰ： transfer of copyright201

1 Assignments and licences202

2 Works created by employees208

Ⅱ The legal preconditions for alienation Ⅱ： security rights over copyright213

Ⅲ The concept of alienation215

1 Alienation according to Hegel and Marx216

2 Karl Renner： change of social function behind the immutable legal institution of property and ownership222

3 Copyright and alienation225

Ⅳ The weaknesses of a moral rights protection system237

1 The idea of moral rights： a remedy against alienation？237

2 The impact of moral rights on the exercise of economic rights after their transfer240

Ⅴ Conclusion244

6.The effects of copyright-property Ⅱ： neo-feudal and neo-colonial features of international copyright protection247

Ⅰ International copyright as a basis for neo-feudal and neo-colonial trends247

Ⅱ The powers of copyright-property： property， sovereignty and feudal relations249

1 Human expressions as property for power： the concept of the ‘product’ in business and marketing249

2 The exploitation of copyright： employment， alienation and licensing as a kind of new feudal relationship256

Ⅲ Neo-colonialism with the assistance of copyright267

1 The classical legal distinction between property and sovereignty， and the reality267

2 Copyright as a legal device for neo-colonialism268

Ⅳ Conclusion 272Conclusions 274Bibliography280

Index303